Andrew is a painter of landscapes and seascapes working in oils. Based in West Cornwall, Andrew paints en plein air and in the studio using oils as his chosen medium.

He finds skies and winter light particularly fascinating and often finds that the most interesting subjects are everyday places. Farm tracks and lanes, corners of fields, distant glimpses of the sea, views from the coast path and sunrises or sunsets seen from the beach. He tries to convey the feeling and atmosphere of a landscape onto canvas for the viewer to have an idea of what it was like to be there.

Marc was born in Southwold, on the northern edge of the town that borders Easton Marshes, just a short walk from the sea.

He was a foreman brick-maker at a traditional brickworks at South Cove for three years before attending Lowestoft Art School and Manchester Metropolitan University. After graduating in 1995 Marc began to produce drawings and paintings in mixed media for exhibiting. He then continued the theme of his degree show which was a portrayal of the East Anglian coastline, including parts of his family history and its relationship with the sea through several generations.

'Working in mixed media my current paintings are a direct response to my interest in unusual compositions and viewpoints and the placement of sometimes ordinary objects and buildings within them. I often explore the juxtaposition of large open skies with strands of finely detailed horizons which epitomizes the ancient and ever changing East Anglian landscape of sea and salt-marsh'.

Janine Burrows, AKA Jam & Ginger, is a ‘young at heart’ diverse designer who is passionate about all things print, pattern and paint based.

With over 20 years design experience in various guises, you will find Janine concocting ideas, mark making and generally 'creating' whilst listening to Radio 6 and drinking way too much tea!

Denise lives in a part of rural Hampshire close to the sea. Her inspiration comes from an overwhelming love of the countryside, including the beautiful  'South Downs'  and the nearby coast and all the flora and fauna that live there.
 
Denise has always loved walking, sketching and painting on the beach - ‘There is just something about the light there and the sound of the sea’ . She has always enjoyed painting and drawing both animals and birds, whilst enjoying capturing their spirit as well as a likeness.

Denise trained in Natural History Illustration at the Dyfed College of Art in Wales  (1988-90). She went on to illustrate a variety of books and was with the SGA Illustration Agency for a number of years.

Nicky originally trained as a designer, graduating from Central St Martin's School of Art in 1993 with a BA (Hons) in Fashion Design with a specialism in printed textiles. After working in various areas of the fashion & textile design industry, a career break to raise my four children led her to rediscover the excitement of drawing & painting. 

Nicky's flower paintings are an attempt to capture the burst of happiness that she always feels on finding an unexpected patch of wildflowers, or when a breeze sends a meadow dancing. Nicky is particularly inspired by the vivacious wildflowers, hardy heathland plants and big skies she sees in the countryside around her home, and the powerful feeling of permanence and belonging that watching a familiar landscape through changing seasons can bring. She is also strongly influenced by memories of the flowers that her Grandad grew in his garden when she was a child, and the naive shapes that she often uses are representative of this.

Penny trained in Textile Design at Brighton Polytechnic and the Royal College of Art, specialising in Woven Textiles and has worked as a designer, freelancer and teacher. 

"I use mixed media on canvas, board and paper combining paint, ink and fabric with hand-printed and painted paper collage. I experiment with different materials, tools and techniques to give unpredictable effects and to add layers of texture, pattern and colour to my paintings and collages. My work reflects my love and passion for colour, pattern and texture found in the beauty of flowers, birds and my natural surroundings."

Lyz Gardner is a landscape artist specializing in oil pastels. 

'Oil pastels offer me the freedom to be spontaneous - I prefer to work with my hands rather than with a brush. I enjoy building up many layers of the medium, creating texture, which is then etched into with a palette knife or pencil. This process and technique is what defines my work. I love this constant cycle of removal and addition of layers until the effect I want is achieved.

I prefer to paint primarily from memory or imagination and I hope the pieces I produce resonate with the experiences and moments of special places the viewer may have'.

After a degree in Visual Arts from the University of Lancaster Lyz travelled widely throughout the British Isles. It is the knowledge of these coasts, woods and dales that she draws upon in her work.

Lyz then completed a PGCE and embarked on a teaching career before settling in East Anglia to focus exclusively on painting again.

Kate Green is a mixed media abstract artist. She lives in Cambridge, UK and works from her garden studio, when she isn’t painting live at an event.

Kate would describe herself as a SONG PAINTER, using paint to 'sing with colour'. Visceral, visual utterances of shape, hue and mark are her vocabulary - a whole heart, mind, body & soul thing.

Kate loves colour and movement, pattern and detail, working in layers and getting messy. She is excited by the extravagant dimensions and intimate details that she sees in creation - a joyfulness in the very act of creating and aim to reflect this in her work.

Kate’s style leans towards abstract expressionism, seeking to represent and communicate things unseen, making the invisible visible.
She loves to encourage creativity in others; it adds dimension, taste, depth, texture and richness to life, aiding expression, taking us beyond the seen and ordinary.

Caroline has always been interested in drawing and painting. At university, she studied graphic design and illustration, specialising in scientific illustration. Caroline particularly enjoys botanical and zoological, painting in watercolour. She is often found painting wild flora, fruits, lichen and fungi from the hedgerow and woods in her local area. She is drawn to the intricate detail revealed by the magnifying glass.

Caroline has worked for Cambridge University Botanic Garden, The Hunterian Museum and Cambridge University Zoology Museum as a freelance illustrator. 

Lisa studied at Bradford & Ilkley Community College and graduated in 1995 with a BA Hons Degree in Fine Art & Experimental Textiles. She returned back to the Northeast and began producing beautiful and original contemporary art. Now based in County Durham she produces her paintings from her garden studio and is most recognised for her landscape and still life paintings.

Lisa’s work is a vibrant combination of hue, texture and form.  Painting with a mixture of instinct, emotion and skill, she has a subtle understanding of colour and its deep impact on the viewers conscious and subconscious. Her inspiration comes from her love of colour, texture and creating atmosphere and balance. Using natural found materials from the location Lisa encases them into the painting surface. Her aim is to create an authentic representation of what she loves most about the landscape.

Through her still life range she explores contrasting colours and vintage fabrics to create a collection filled with character and charm..  She works on up to thirty paintings at one time in the studio, layering them with washes, wax, fabrics and organic materials, allowing the paintings to slowly evolve.
Her technique has developed over many years and the depth and harmonies she creates has become a recognisable and beautiful quality of her work.

As a child, Mary used to paint on the reverse side of wallpaper and carry them around under her arm; her enthusiasm has never dimmed and she has found herself painting more than ever.

’I have a few favourite subjects, the seaside, a family growing and changing and the landscape around my home in Cambridgeshire. You could say each piece I paint is a record of some aspect of my life. The advice given to painters must surely be the same as given to writers "describe what you know".’

Mary's most recent paintings are from the series Long Lost Days, part of her enduring theme of life at the seaside.

Mary trained initially as a nurse, but knew her true vocation lay in art. She attended Salisbury School of Art for a year but is mainly self taught.

Most of her paintings are executed with oil paints. There is a sensual quality about this traditional medium that modern acrylics cannot replicate.

Until recently, Zizi didn't have a 'concept', she preferred to allow whatever it is that triggered her inspiration to emerge, in whatever form it decided to take, experimenting constantly.

However, in May 2015, Zizi discovered a new way of 'seeing' the world, which she has called 'colour block'. There is a unique sense of style & simplicity, with colour as the dominant element. Her new work is vivid, yet restful, because the viewer can recognise the scene or form, through colour association. Yet there is more to see, if the viewer wants to look deeper.

Nikki is an artist and designer working from her studio in Falkirk, Scotland. She studied at the Scottish College of Textiles and has since worked as an interior stylist, designer and artist, also spending time involved with community arts.

Nikki’s subject matter ranges from narrative landscapes and seascapes to quirky birds and figures. Through her love of colour her paintings evolve by layering up acrylics and oil pastels, creating textures within the paintings. Working from memory allows her work to take on a stylized abstract feel.

'I have always been drawn to landscape and coastal scenes and the shapes and patterns found in our everyday surroundings. My work is inspired by memories, I love colour! I paint using acrylics, oil pastels, and sometimes a bit of collage. I use canvas and board to paint on, and work can vary in size. I like the idea that people can enjoy my work, as much as I do painting it!'

Lynn is a Cambridgeshire-based artist and is influenced by the natural world. The more rugged and gnarled the subject, the more it interests her, as texture is a big part of her mixed media technique. She always has a camera with her, even on her daily dog walks locally. However, she also likes to go out and sketch en plein air if possible, as drawing the subject in front of her enables her to focus of the most important aspects of the view.

As an artist who likes working with loosely applied water-based medium in her underpaintings, she always has to be prepared for the expected – and relishes it when it happens. Many a painting has taken a different turn due to interesting marks at that stage. Lynn likes to experiment with different medium and how to use them together, as she is always looking to develop her technique further to achieve more interesting effects.

Kate trained as a graphic designer and worked for several years in book publishing as an illustrator and designer before taking up painting.

Her work explores the drama and mood of changing seasons, light and weather on places that are meaningful to her.  The paintings and prints that result from working out of doors and later on in the studio are very personal, often colourful interpretations of what she sees around her.

Martyn Perryman primarily works from the Portland Studios next to the woodland of Bookham Common, Surrey, as well as working from a home, he has in a converted sail loft in St Ives, Cornwall.

Through the mediums of oil on canvas and oil on paper, Martyn creates seascapes and landscapes focusing on the horizon. He takes his inspiration from regular coastal walks in all weathers.

He will revisit a place, returning to the same view point making sketches and colour studies to use back in the studio.

Sue works as a painter from her home studio in Cambridge.

She explores her response to the natural landscape drawing inspiration from this ever-changing environment. With an intuitive use of colour, Sue loves to work in a variety of media to express movement, light and reflections.

Through gestural strokes of her palette knife, building layers and texture, she creates vivid images that capture the essence of being within the landscape.

To the viewer, Sue’s paintings convey a fusion of vibrant colour with a feeling of sensitivity.

Natalie trained as an Artist at Wimbledon School of Art in London studying a degree in Fine Art and Painting. She lives with her husband and two children on the borders of Kent and Sussex.

Her paintings of distinctive landscapes depicting the tranquillity and beauty of the English countryside can be seen as blocks of colours, patterns and shapes. Her imaginative eye for colour leads her to use a warm, rich palette, and she uses numerous painting techniques to develop a variety of surface textures.

Natalie has a strong instinct for innovative design and composition, inviting the viewer to take a second look at scenes and subjects that seem at first to be ordinary and familiar. Her artwork is spontaneous and her recent work uses acrylic paints on canvas and it is her vivid imagination that captures the heart of the viewer.

Natalie also works with watercolour to create fresh lively paintings with an illustrative feel. Her influences which are evident in her work are Matisse, Mary Fedden, Patrick Heron, and Howard Hodgkin and her parents who are both artists.

Coming from rural Suffolk, Stephanie was always aware of nature; it had a profound influence on her work and can be found within the shapes and patterns. She saw plants, flowers and trees as colour and line, rather than detail in the form of leaves or petals. She was fascinated by the skeletal shapes of seed heads and of flowers as they degenerate and fade.

Her work is not about pure representation of an object, but her own vision of the object. The way in which Stephanie applied the paint, be it the thickness or the thinness of the stroke, all contributes to how she expressed emotion about a given subject, and that is what kept her constantly excited about painting. She took reality and fused it with her own concept of the world.

Stephanie studied at the University of Hertfordshire and University College Suffolk, graduating with a B A Honours Degree in Art and Design.

René Viner is a mixed-media artist who draws inspiration from nature’s forms and structures. The sky, a constant changing palette, is of particular interest.

Her atmospheric paintings are semi-abstract and expressionistic capturing the openness of the countryside. She works mainly on canvas, using acrylics and various other materials which she embeds within the painting to create texture and form. This allows a play of light and shadow on the surface.